| IN THE RED STUDIO
2002 This work owes its influence, in part, to the painting Back View of Venus by Jules Pascin (1924-25). I like the fleshy, rough, female backside, clearly erotic, but not romanticized. This red chair is one of my favourites and as equally sensuous as the nude. I put the painting away for several years, not knowing how to finish it. I have long admired Matisses The Red Studio (1911) that I saw in the early 1990s. It shows the inside of his thoughts - a flat surface that feels like a room. Matisse owned and was probably influenced by an earlier painting by Degas, Combing the Hair (1896), where shades of red dominate the composition of two women in an ambiguous room. I decided to place my nude and chair in a red room without walls. |
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